Salesman: Discomfort in the Marketplace of Religion
One of the ironies of the Maysles 1968
documentary, Salesman, is that for
years it didn’t really sell. It’s
one of those films that I have been intending to watch for a long time but there
was always something readily available that I wanted to see more and this is a
film with a few factors that might put you off. Salesman was shot on 16 mm using a pretty basic camera and
microphone set-up in which the sound of the film moving through the camera
comes very close to drowning out the words of the Bostonian salesmen depicted.
After 10 minutes, I resorted to subtitles because I was feeling lost, although
thankfully not in the same way as Paul Brennan, the bible salesman at the
centre of this piece, a lost sheep who fails to find sufficient comfort in the
capitalist gospel of America. Some have made the case that the technical
shortcomings of Salesman merely underline its brilliance. I was, however, amused by Albert Maysles’ response,
in a dreadfully shot DVD extra, to an earnest compliment from a young
interviewer who claimed that the fact that the Maysles brothers could only
shoot 10 minutes at a time should be seen as an advantage because they had to
choose their shots so carefully. Maysles likened this to a writer’s excellent
prose being accredited to using a pen that ran out every three minutes.
Watching Salesman I was reminded of Jeremy Carrette and Richard King’s
excellent and thought-provoking book, Selling
Spirituality: The Silent Takeover of Religion (2005) in which it is argued
that spirituality has become a powerful commodity in the global marketplace
and, in so doing, has become part of the capitalist infrastructure. Many of the
examples in that book are relatively subtle but not so in Salesman, in which, for example, one housewife is told that the
bible she is being persuaded to buy will have so much more value when she gets
her priest to bless it.
At the time when Salesman was made a paperback book cost about 35 cents in the
United States but the four salesmen we meet in the film are trying to sell
bibles for $49.95, a colossal sum at the time. What is worse is that they are
selling bibles by going door-to-door in quite impoverished Roman Catholic neighbourhoods,
using local churches as a means of generating business. They don’t do it
directly but it seemed to me that these salesmen were guilty of using the
authority of the church to try to get people to make purchases they couldn’t
afford and didn’t need. Wouldn’t this bible be a great thing for the children,
helping to shape their future? Isn’t owning this very fancy bible a symbol of
your goodness, of the fact that you are a person who takes faith seriously? Why
wouldn’t you want to be good? Why wouldn’t you want your children to grow up
blessed by the word of the Lord? It only costs $49.95. You can have it for as
little as a dollar a week. I don’t understand why anyone wouldn’t want that.
Are you cringing yet? Paul ‘The Badger’
Brennan is the salesman we spend the most time with, largely because he is the
worst at his job. Everything that goes wrong he blames on the customers, little
realising that as he gets more desperate for a sale, he also gets more
aggressive, leaving him with no chance of success. He never looks into the
camera but we get to look deeply into him. He doesn’t believe in his product
and the endless grind of motel rooms and doorstep rejection has been an assault
on his dignity.
Dignity is a theme much on my mind at the
moment and I wonder if, rather than seeking this as a film about a salesman who
can’t sell, we might view it as being about a human being trying to hold onto
his dignity. Michael J. Fox wrote, “One’s dignity may be assaulted, vandalized
and cruelly mocked, but it can never be taken away unless it is surrendered."Nice
words from a Hollywood hero but it seems to me that in the vulnerable moments
of life we may be inclined to surrender our dignity too easily. Not so, Paul
Brennan. About a year after filming was complete, Albert Maysles caught up with
him. He was no longer selling bibles and had been such a notable screen
presence that he was invited to go to Spain and act in a movie. When he heard
this news, Albert Maysles was ecstatic but Brennan went on to say that he’d rejected
the opportunity because they weren’t offering a big enough part. Maysles
probably thought Brennan was crazy but at least he kept his dignity.
And what about Jesus, the man in the book, leather-bound and yours for only $49.95
($360.62 in today’s U.S. currency)? Is his message really any more valuable or
dignified for being on gold-edged paper? Would the Sermon on the Mount have
been better remembered if they sold T-shirts and CDs or Jesus had been
sponsored by Evian Living water? Is a book more precious if blessed by a priest
or is the real blessing what the reader gets out of it?
My dad worked as a Methodist minister and once in a while someone would turn up with
an old family bible they didn’t want. Probably they thought cluttering up
churches with old bibles was better than cluttering up their homes. Often these
bibles had decades of dust on them and had turned grubby and my dad would
unceremoniously throw them out. Had these people known they may have been upset
– throwing the word of God into the bin has to be some kind of sin doesn’t it?
Ultimately though, whilst the contents of a book may inspire, a book in itself
isn’t a ‘holy’ thing. A human being is holy; dignity is holy; a book is just a
book and religion that comes with a price tag is probably not the real deal.
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